December 2009 Archives

Richard Avedon (1923-2004) revolutionized fashion photography starting in the post-World War II era and redefined the role of the fashion photographer. Anticipating many of the cultural cross-fertilizations that have occurred between high art, commercial art, fashion, advertising, and pop culture in the last twenty years, he created spirited, imaginative photographs that showed fashion and the modern woman in a new light.
One can't help but admire his iconoclastic stance in shaking up the chilly, static formulas that had been dominated by Europeans for years, injecting new stylistic innovations that would revolutionize fashion photography for years to come. By the 1950's his work was so influential he was the most imitated fashion photographer in the world.


JOHN GALLIANO (1960-) is one of the most influential fashion designers of our time. Born in Gibraltar, he grew up in London and launched his own label before becoming chief designer of France's haute couture flagship, Christian Dior, in Paris.
Lisa Fonssagrives: Her image appeared on the cover of many
magazines during the 1930s, 1940s and 1950s. She worked with top
fashion photographers including George Hoyningen-Huene, Man Ray, Horst,
Erwin Blumenfeld, George Platt Lynes, Richard Avedon, and Edgar de
Evia.

Here is a black and white picture of me,jazzgirl1920s,standing by a 1920's car. I had this picture taken in black and white because i was trying to look like a silent movie actress from the 1920s:
The first image in the book depicts a woman builder making repairs to
the roof of Berlin's town hall. Balanced on a ladder high atop the
city, this young woman physically intervenes in the urban built
environment with her hands and tools. A dense and vibrant urban
landscape unfolds beneath her. This extraordinary photograph, taken in
1910, succinctly captures the phenomenon of brave new vistas appearing
before women. As part of a series that documented women in male
professions, the image associated the ascent of women to new
occupations with the vertical rise of Berlin, linking female modernity
directly to that of the city itself.
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