Edward Scissorhands /

THE DARK MISFIT
Thus far I've concentrated on Michael's fondness for classic cinema and
musicals, but there were most definitely darker influences as well. His
leather-and-buckle style emerged perhaps as Michael struggled with his
life of imposed near-solitude and the battle for privacy he fought from
the media and crazed fans. He seemed to identify with, and then
project, a kind of misunderstood misfit persona, even while continuing
grueling tours and recording sessions. April's auction of Jackson's
ephemera included many of his home furnishings, sculptures, children's
race cars, and many many spangly clothes, but what caught my special
notice were the Edward Scissorhands
(1990) prop hands.
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